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Andrei Rublev has an approval rating of 95% on review aggregator website Rotten Tomatoes, based on 43 reviews, and an average rating of 8.9/10. The website's critical consensus states, "Andrei Rublev is a cerebral epic that filters challenging ideas through a grand scope -- forming a moving thesis on art, faith, and the sweep of history". [32]
The film was shot for the most part near Kanev at the Dnieper River. Tarkovsky continued his collaboration with cinematographer Vadim Yusov, who was the cameraman in Tarkovsky's diploma film The Steamroller and the Violin. Nikolai Burlyayev had played a role in Andrei Konchalovsky's student film The Boy and the Pigeon.
Catholic film critic Steven Greydanus contrasts the film's "dialectic of Christian and pagan ideas" with Andrei Rublev, writing that, while Rublev "[rejects] the advances of an alluring pagan witch as incompatible with Christian love", The Sacrifice "juxtaposes" both sensibilities. [28] Andrew Petiprin highlights the difficulty of faith in his ...
Since 1959, the Andrei Rublev Museum at the Andronikov Monastery has displayed his and related art. The Russian Orthodox Church canonized Rublev as a saint in 1988, celebrating his feast day on 29 January [6] and/or on 4 July. [6] [7] [8] In 1966, Andrei Tarkovsky made a film Andrei Rublev, loosely based on the artist's life
Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲɪr]) is a 1979 Soviet science fiction film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic.
The film references Tarkovsky's 1966 film Andrei Rublev by having an icon by Andrei Rublev being placed in Kelvin's room. [14] It is the second of a series of three films referencing Rublev, the last being Tarkovsky's next film, The Mirror, which was made in 1975 and which references Andrei Rublev by having a poster of the film hung on a wall. [15]
In 1968, after finishing Andrei Rublev, Tarkovsky went to the cinematographer's resort in Repino intending to write the script for The Mirror with Aleksandr Misharin. This script was titled Confession and was proposed to the film committee at Goskino. It contained popular themes such as a heroic mother, the war, and patriotism, but the proposal ...
His debut in cinema was in the Sverdlovsk Film Studio's short film The Case of Kurt Clausewitz (1963), directed by Gleb Panfilov. Solonitsyn is best known in the west for his roles in several of Andrei Tarkovsky 's films, including Dr. Sartorius in Solaris (1972), the Writer in Stalker (1979), the physician in Mirror (1975), and the title role ...