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This is a chronological list of sopranos who have performed in operas from classical music of the Western world. The list spans from operatic sopranos active in the first operas of the late 16th century to singers currently performing. Singers who have recorded opera arias or sung them in concert but have never performed in an opera are not ...
Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
List of Cambridge Companions to Music; List of classical music concerts with an unruly audience response; List of French haute-contre roles; List of historical opera characters; List of Innsbruck Festival of Early Music productions; List of musical items in Claudio Monteverdi's L'Orfeo; List of performances of French grand operas at the Paris ...
There is controversy when the term "soprano" is applied to men. Men who sing in the soprano range are sometimes called "sopranists", "sopranistas", or "male sopranos" (Category:Sopranists). Please sub-categorize entries by nationality (Category:Sopranos by nationality) or a subcategory in Category:Operatic sopranos, if possible
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Luciano Pavarotti OMRI (/ ˌ p æ v ə ˈ r ɒ t i /, US also / ˌ p ɑː v-/, Italian: [luˈtʃaːno pavaˈrɔtti]; 12 October 1935 – 6 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time.
Aksel Johannes Skramstad Rykkvin (born 11 April 2003) is a Norwegian singer. He rose to fame as a boy soprano singing baroque arias, and recorded two albums on Signum Records with orchestral accompaniment. Critics have noted his fine vocal tone [1] [2] and instinctive musicality. [2] [1] [3]
The contralto voice in opera and classical music has a range which typically lies between the F below middle C to two Fs above middle C (F5).In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B ♭ s above middle C (B ♭ 5). [1]