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DADGAD tuning. D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E 2 A 2 D 3 G 3 B 3 E 4) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4.
DADGAD tuning (listen) D-A-d-g-a-d' DADGAD was developed by Davey Graham in the early 1960s when he was travelling in Morocco, to more easily play along with Oud music. Among the first to use this tuning were the folk-blues guitarists of the '60s like Bert Jansch, John Renbourn, Martin Carthy, and John Martyn.
Al Petteway was an American guitarist known primarily for his acoustic fingerstyle work [1] both as a soloist and with well-known folk artists such as Amy White, Tom Paxton, Jethro Burns, Jonathan Edwards, Cheryl Wheeler, Debi Smith, Bonnie Rideout, Maggie Sansone and many others.
C 2 –G 2 –D 3 –A 3 –E 4 –B 4. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin; other names include "perfect fifths" and "fifths". [63] It has a wide range. Its implementation has been impossible with nylon strings and has been difficult with conventional steel strings.
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Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment.
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