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The second full-page plate illustrates a more developed form of the musette, where a grand chalumeau with five keys is complemented by a petit chalumeau with six keys. Jacques Hotteterre 's Méthode (1738) illustrates the most usual final form of the instrument; the six-key petit chalumeau is the same as de Scellery's, but the grand chalumeau ...
A distinguishing factor of most French bagpipes is the placement of the tenor drone alongside the chanter rather than in the same stock as the bass drone. In the northern regions of Occitania: Auvergne, is found the (generally) bellows blown cabreta, and in Limousin the mouth blown chabreta. The cabrette is much played in areas of Paris where ...
The cornemuse du Centre France (or musette du Centre) (bagpipes of Central France) is a type of bagpipes native to Central France. [1] They have two drones, one an octave, one two octaves, below the tonic of the chanter. They can be found in the Bourbonnais, Berry, Nivernais, and Morvan regions of France and in different tonalities.
Musette bechonnet, a type of French bagpipe; Musette bressane, a type of French bagpipe; Oboe musette or piccolo oboe, the smallest member of the oboe family; Suona, a type of Chinese sorna (double-reeded horn) Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s
The musette bressane (or mezeta, mus'ta, voire cabrette, brette or tchievra) is a type of bagpipe native to the historic French province of Bresse, in eastern France.. The instrument consists of one chanter with a double reed and conical bore, a high drone set in the same stock (which may have a single, or rarely a double, reeded drone), and a large bass drone with a single reed.
Bousine — a small, droneless bagpipe from Normandy [2] Cabrette — a bagpipe from Auvergne in Auvergne-Rhône-Alpes; Caramusa — a Corsican bagpipe made of wood, leather and reed; Chabrette — a bagpipe from Limousin in Nouvelle-Aquitaine; Cornemuse du Centre — a bagpipe from Central France; Loure — an ancient bagpipe from Normandy
The cabrette comprises a chanter for playing the melody and a drone, but the latter is not necessarily functional. Though descended from earlier mouth-blown bagpipes, bellows were added to the cabrette in the mid-19th century. It is said that Joseph Faure, of Saint-Martin-de-Fugères en Haute-Loire, first applied a bellows to the cabrette ...
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.