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Ragtime, also spelled rag-time or rag time, [2] is a musical style that had its peak from the 1890s to 1910s. [1] Its cardinal trait is its syncopated or "ragged" rhythm . [ 1 ] Ragtime was popularized during the early 20th century by composers such as Scott Joplin , James Scott , and Joseph Lamb .
Classic rag (short for classical ragtime) is the style of ragtime composition pioneered by Scott Joplin and the Missouri school of ragtime composers. These compositions were first considered "classic" by Joplin's publisher, John Stark , as a way to distinguish them from what he considered the "common" rags of other publishers.
When Joplin was learning the piano, serious musical circles condemned ragtime because of its association with the vulgar and inane songs of Tin Pan Alley. [4] As a composer, Joplin refined ragtime, developing it from the dance music played by pianists in brothels in cities like St. Louis. [5]
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...
The "Maple Leaf Rag" (copyright registered on September 18, 1899) [1] is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. [2]
Joseph Francis Lamb (December 6, 1887 – September 3, 1960) was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly ...
Charles Leslie Johnson (December 3, 1876 - December 28, 1950) was an American composer of ragtime and popular music.He was born in Kansas City, Kansas, died in Kansas City, Missouri, and lived his entire life in those two cities.
[1] [4] Historian Eve Golden stated that the song is "a popular standard from the second-wave of ragtime tunes". [5] Ian Whitcomb wrote that it was one of the first American popular songs to influence musical taste and culture in the United Kingdom with the "invasion of American popular music" in 1912. [6]