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Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
In spite of a few articles of Renaissance furniture procured abroad for the royal family or some of the high nobility, a barbarous mixture of the old and new yet prevailed in England at the period when France enjoyed the accomplished Henry II style, and when Italy reveled in the perfect fantasies of the Italian cinquecento.
Italian Rococo furniture was usually upholstered with rich and colourful fabrics, such as velvet and silk, and furniture was usually lacquered. [1] Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its ...
By the late 1850s Jelliff's work reflected the Italian renaissance style; he later found inspiration in the designs of John Henry Belter. [ 4 ] By 1874, the Jelliff factory had 40,000 square feet (3,700 m 2 ) of floor space, employed 45 men and did annual sales of $100,000 (equivalent to $2.7 million in 2023), catering to the needs of the ...
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.
Much like Henri II buffets, French Renaissance wardrobes feature the rich sculptural ornamentation (niches, pediments, pilasters, caryatids, festoane) characteristic of much Renaissance furniture [1] The Henry II style was the chief artistic movement of the sixteenth century in France, part of Northern Mannerism. It came immediately after the ...