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While the term is associated with "a man's responsibility to provide for, protect, and defend his family", [4] machismo is strongly and consistently associated with dominance, aggression, grandstanding, and an inability to nurture. Machismo is found to be deeply rooted in family dynamics and culture in Latin America and is exclusive to the ...
Although Bettelheim foreshadowed the modern interest in the causal influence of genetics in the section Parental Background, he consistently emphasised nurture over nature. For example: "When at last the once totally frozen affects begin to emerge, and a much richer human personality to evolve, then convictions about the psychogenic nature of ...
Naturalism includes detachment, in which the author maintains an impersonal tone and disinterested point of view; determinism, which is defined as the opposite of free will, in which a character's fate has been decided, even predetermined, by impersonal forces of nature beyond human control; and a sense that the universe itself is indifferent ...
Nature versus nurture is a long-standing debate in biology and society about the relative influence on human beings of their genetic inheritance (nature) and the environmental conditions of their development .
Drawing on Eco's personal experiences growing up in Mussolini's Italy and his extensive research on fascist movements, the essay offers his insights into the nature of fascism and its manifestations. Overview
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The nature–culture divide is the notion of a dichotomy between humans and the environment. [1] It is a theoretical foundation of contemporary anthropology that considers whether nature and culture function separately from one another, or if they are in a continuous biotic relationship with each other.
At the turn of the 20th century, when there began to be discussion as well of creativity in the sciences (e.g., Jan Łukasiewicz, 1878–1956) and in nature (e.g., Henri Bergson), this was generally taken as the transference, to the sciences and to nature, of concepts proper to art. [9] The start of the scientific study of creativity is ...