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"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
Scotty's, overcome by the very competitive home improvement market, closed all the stores in 2005. Private investment company Oak Point Partners acquired the remnant assets, consisting of any known and unknown assets that weren't previously administered, from the Scott Acquisition Corp., et al., Bankruptcy Estates on September 17, 2008.
Scott Joplin's New Rag: Rag: 1912: Intro AA BB A CC Trans. D A Coda: C/Am/C/C/Em/C: Scott Joplin - New Rag (1912) [27] Kismet Rag: Rag: 1913: Intro AA BB A CC DD: C/G/C/F/C: With Scott Hayden. Likely composed before 1903. Scott Joplin - Kismet Rag (1913) [32] A Real Slow Drag: Opera Excerpt: 1913: Intro A B1 B2 Trans. CC B1 B2 Coda: Bm/F/Bb/F ...
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Pages in category "Rags by Scott Joplin" The following 16 pages are in this category, out of 16 total. ... This page was last edited on 10 June 2024, ...
"Weeping Willow" is sub-titled "A rag time two step", which was a form of dance popular until about 1911, and a common style among rags written at the time. Its structure is: Intro A A B B A C C D D The A and B sections are in the key of G major very lofty and highly melodic. The "B" section makes good use of alternating patterns creating ...
The overall structure of the piece is: [2] Intro AA BB A CC Intro A. The structure is unusual for a Joplin rag; Edwards characterized it as a rondo. The recapitulation of the A strain at the end is also found in "Magnetic Rag" and "Scott Joplin's New Rag", which appeared about the same time. [1] The introduction and the A strain are both in B ...
[2] [3] For the first time, record stores found themselves putting ragtime in the classical music section. The Billboard "Best-Selling Classical LPs" chart for 28 September 1974 has this album at #5, Rifkin's follow-up album, Volume II, at #4, and a combined set of both volumes at #3; in total, the two volumes had been on the chart for 64 weeks ...