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Albius Tibullus (c. 55 BC – c. 19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins.
Tibullus book 1 is the first of two books of poems by the Roman poet Tibullus (c. 56–c.19 BC). It contains ten poems written in Latin elegiac couplets, and is thought to have been published about 27 or 26 BC.
By the time Tibullus wrote these poems, Delia (Tibullus's girlfriend in book 1) had disappeared, and another woman called Nemesis had taken her place. Tibullus says he has been in love with her for a year (2.5.119). She is named after Nemesis, the goddess of divine retribution. Like Delia, Nemesis appears to have been a high-class courtesan.
Catullus, the first of these, is an invaluable link between the Alexandrine school and the subsequent elegies of Tibullus, Propertius and Ovid. He shows a familiarity with the usual Alexandrine style of terse epigram and a wealth of mythological learning, as in his 66th poem, Coma Berenices, a direct translation of Callimachus' Lock of Berenice ...
Duinskie elegii Дуинские элегии [Duino Elegies] (PDF) (in Russian). Translated by Mikushevich, Vladimir Borisovich. Translated by Mikushevich, Vladimir Borisovich. ImWerdenVerlag. 2002.
Carmina Sulpiciae, read in Latin. Sulpicia's surviving work consists of six short elegiac poems (3.13–18), which have been preserved as part of a collection of poetry, book 3 of the Corpus Tibullianum, initially attributed to Tibullus.
The Garland of Sulpicia, [1] also sometimes known as the Sulpicia cycle [2] or the Sulpicia-Cerinthus cycle, is a group of five Latin love poems written in elegiac couplets and included in volume 3 of the collected works of Tibullus (Tibullus 3.8–3.12 = Tibullus 4.2–4.6).
This judgement also seems to be upheld by Quintilian, who ranks the elegies of Tibullus higher and, while accepting that others preferred Propertius, [30] is himself somewhat dismissive of the poet. However, Propertius' popularity is attested by the presence of his verses in the graffiti preserved at Pompeii ; while Ovid , for example, drew on ...