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With the introduction of rubber to Japan, the balls went from toys to art objects, although mothers still make them for their children. Temari became an art and craft of the Japanese upper class and aristocracy, and noble women competed in creating increasingly beautiful and intricate objects, [ 2 ] some even altered so as to double as handbags ...
The term kamifūsen (紙風船, literally: "paper balloon") refers to several types of paper balloons in Japanese culture. They are simple toys for children, advertising give-aways for traditional medicine companies, and illuminated flying balloons at festivals. Smaller kamifūsen are popular as traditional children's toys in Japan. These have ...
Buta no shippo (豚のしっぽ) is a Japanese card game. It literally means pig's tail in English. The game is usually played with three or more players. It can be considered a party game. This game makes an appearance in Clubhouse Games: 51 Worldwide Classics under the name "Pig's Tail". [1]
The Japanese version of this custom, Kōshin-Machi (庚申待, "Kōshin Waiting"), became an all-night party among friends. The sanzaru (三猿 "three monkeys") or English "Three Wise Monkeys" is a widely known example of monkeys in traditional Japanese culture.
Onnayu [1] (Ladies' Bath), a colored ukiyo-e print by Torii Kiyonaga (1752–1815) depicting a male sansuke (upper left corner) attending on women at a public bathhouse. Ukiyo (浮世, 'floating/fleeting/transient world') is the Japanese term used to describe the urban lifestyle and culture, especially the pleasure-seeking aspects, of Edo period Japan (1600–1867).
The oni remains a very popular motif in Japanese popular culture. Their varied modern depiction sometimes relies on just one or two distinctive features which mark a character as an oni, such as horns or a distinctive skin colour, although the character may otherwise appear human, lacking the oni's traditionally fearsome or grotesque features.
Unlike in European peerage systems, but following traditional Japanese custom, illegitimate sons could succeed to titles and estates. To prevent their lineages from dying out, heads of kazoku houses could (and frequently did) adopt sons from collateral branches of their own houses, whether in the male or female lines of descent, and from other ...
Kamaitachi (鎌鼬) is a Japanese yōkai from the oral tradition of the Kōshin'etsu region. It can also refer to the strange events that this creature causes. They appear riding on dust devils and cut people using their sickle-like front claws, delivering sharp, painless wounds. The name is a combination of the words kama (sickle), and itachi ...