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Impalement, as a method of torture and execution, is the penetration of a human by an object such as a stake, pole, spear, or hook, often by the complete or partial perforation of the torso. It was particularly used in response to "crimes against the state" and is regarded across a number of cultures as a very harsh form of capital punishment ...
The use of impalement in myth, art, and literature includes mythical representations of it as a method of execution and other uses in paintings, sculptures, and the like, folklore and other tales in which impalement is related to magical or supernatural properties, and the use of simulated impalement for the purposes of entertainment.
Oliver Cromwell's head was placed on a spike and erected in the 17th century. A drawing from the late 18th century. A head on a spike (also described as a head on a pike, a head on a stake, or a head on a spear) is a severed head that has been vertically impaled for display.
Illustration of the execution of Hadj Mohammed Mesfewi. Immurement (from Latin im- ' in ' and murus ' wall '; lit. ' walling in '), also called immuration or live entombment, is a form of imprisonment, usually until death, in which someone is placed within an enclosed space without exits. [1]
Used as punishment for high treason in the Ancien régime; also used by several others countries at various points in history. Drowning: Execution by drowning is attested very early in history, by a large variety of cultures, and as the method of execution for many different offences. Drawing and quartering: English method of execution for high ...
In his De Cruce (Antwerp 1594), p. 10 Justus Lipsius explained the two forms of what he called the crux simplex.. The term crux simplex was invented by Justus Lipsius (1547–1606) to indicate a plain transom-less wooden stake used for executing either by affixing the victim to it or by impaling him with it (Simplex [...] voco, cum in uno simplicique ligno fit affixio, aut infixio).
The human target is the essential distinguishing feature of the impalement arts. It has been asserted by several sources, including well-known knife throwers, that the power and appeal of this type of act lies as much in audience appreciation of the target as in admiration of the skill of the thrower or archer. [10]
A goedendag (Dutch for "good day"; also rendered godendac, godendard, godendart, and sometimes conflated with the related plançon) was a weapon originally used by the militias of Medieval Flanders in the 14th century, notably during the Franco-Flemish War. The goedendag was essentially a combination of a club with a spear. Its body was a ...