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Impalement, as a method of torture and execution, is the penetration of a human by an object such as a stake, pole, spear, or hook, often by the complete or partial perforation of the torso. It was particularly used in response to "crimes against the state" and is regarded across a number of cultures as a very harsh form of capital punishment ...
The use of impalement in myth, art, and literature includes mythical representations of it as a method of execution and other uses in paintings, sculptures, and the like, folklore and other tales in which impalement is related to magical or supernatural properties, and the use of simulated impalement for the purposes of entertainment.
Oliver Cromwell's head was placed on a spike and erected in the 17th century. A drawing from the late 18th century. A head on a spike (also described as a head on a pike, a head on a stake, or a head on a spear) is a severed head that has been vertically impaled for display.
The medieval era started in the 5th Century with the collapse of Roman civilization, lasting all the way to the Renaissance. When exactly the Middle Ages ended varies depending on what historian ...
Medieval and early modern instruments of torture. Chair of torture. Appearance. There are many variants of the chair, though they all have one thing in common: spikes ...
The 17th-century perjurer Titus Oates in a pillory. The pillory is a device made of a wooden or metal framework erected on a post, with holes for securing the head and hands, used during the medieval and renaissance periods for punishment by public humiliation and often further physical abuse. [1]
In his De Cruce (Antwerp 1594), p. 10 Justus Lipsius explained the two forms of what he called the crux simplex.. The term crux simplex was invented by Justus Lipsius (1547–1606) to indicate a plain transom-less wooden stake used for executing either by affixing the victim to it or by impaling him with it (Simplex [...] voco, cum in uno simplicique ligno fit affixio, aut infixio).
The human target is the essential distinguishing feature of the impalement arts. It has been asserted by several sources, including well-known knife throwers, that the power and appeal of this type of act lies as much in audience appreciation of the target as in admiration of the skill of the thrower or archer. [10]