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Whereas ancient laurel wreaths are most often depicted as a horseshoe shape, modern versions are usually complete rings. [citation needed] In common modern idiomatic usage, a laurel wreath or "crown" refers to a victory. The expression "resting on one's laurels" refers to someone relying entirely on long-past successes for continued fame or ...
The laurel wreaths of a triumphator were often worn by imperial portraits, as were radiate crowns. [21] According to Pliny the Elder, the Arval Brethren, an ancient Roman priesthood, were accustomed to wear a wreath of grain sheaves. [22] Crowns and wreaths were associated by early Christians with Roman paganism and Hellenistic religion. [21]
A wreath worn for purpose of attire (in English, a "chaplet"; [1] Ancient Greek: στέφανος, romanized: stéfanos, Latin: corona), [2] is a headdress or headband made of leaves, grasses, flowers or branches. It is typically worn on celebrations, festive occasions and holy days, having a long history and association with ancient pageants ...
A chaplet is a headdress in the form of a wreath made of leaves, flowers or twigs woven into a ring. [1] It is typically worn on festive occasions and on holy days. In ancient times a chaplet also served as a crown representing victory or authority.
The mural crown became an ancient Roman military decoration. The corona muralis (Latin for "walled crown") was a golden crown, or a circle of gold intended to resemble a battlement, bestowed upon the soldier who first climbed the wall of a besieged city or fortress to successfully place the standard (flag) of the attacking army upon it.
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).
Prior to this, Roman sovereigns wore the purple paludamentum, and sometimes a laurel wreath as emblems of their office. [8] Aurelian strengthened the position of Sol Invictus, whose corona radiata or "radiant crown" had become popular in depictions of emperors earlier in the 3rd century (Gordian III) with the development of the imperial cult,. [9]
The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or, in some historical traditions, one who had successfully completed a foreign war.