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Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4] It is named after American author H. P. Lovecraft (1890–1937).
Chaugnar Faugn (The Elephant God, The Horror from the Hills) was created by Frank Belknap Long and first appeared in his novel The Horror from the Hills . Chaugnar Faugn (or Chaugnar Faughn) appears as a horribly grotesque idol, made of an unknown element, combining the worst aspects of octopus, elephant, and human being.
An open world horror adventure video game featuring a story plot reminiscing of H. P. Lovecraft's and August Derleth's works. Several Cthulhu Mythos elements also exist, including references to the Sleeper below the Sea ( Cthulhu ), the sunken city ( R'lyeh ), the Necronomicon , the One-Who-Shall-Not-Be-Named ( Hastur ), etc.
The horror stories are highly esteemed, and it has been described by critics such as E. F. Bleiler, S. T. Joshi, and T. E. D. Klein as a classic in the field of the supernatural. [ 5 ] [ 6 ] Lin Carter called it "an absolute masterpiece, probably the single greatest book of weird fantasy written in this country between the death of Poe and the ...
Eldritch Horror is a tabletop strategy board game published by Fantasy Flight Games in 2013. [ 1 ] [ 2 ] [ 3 ] The players explore locales around the world filled with Cthulhu Mythos horrors. Gameplay
Horror author Stephen King called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale." [ 218 ] King stated in his semi-autobiographical non-fiction book Danse Macabre that Lovecraft was responsible for his own fascination with horror and the macabre and was the largest influence on his writing.
The Shadow over Innsmouth is a horror novella by American author H. P. Lovecraft, written in November–December 1931.It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization, and references several shared elements of the Mythos, including place-names, mythical creatures, and invocations.
It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so ...