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The B-side of the single was the song "My Darling To You", which while not as popular when released has over the years become a more popular and recognizable recording for the group. In July 1956 The Bop Chords would make a debut performing for a week at the Apollo Theater with The Cadillacs and LaVern Baker.
Sing along to some of the best karaoke songs at your next party! We feature top karaoke songs for women and men, even if you're not the best vocalist!
The Rip Chords' third single was the hit "Hey Little Cobra", vocally layered by Melcher and Johnston, recorded on October 15, 1963. Melcher sang the lead vocal. He and Johnston did the background vocals. [15] [16] The song peaked at No. 4 on the Billboard Hot 100 in February 1964. [17]
The following lyrics are from the 19th edition of the Little Red Songbook.. Verse #1: G C G Long-haired preachers come out every night G D Try to tell you what's wrong and what's right G C G But when asked how 'bout something to eat G D G They will answer in voices so sweet Chorus Type #1: G D You will eat, bye and bye D7 G In that glorious land above the sky G C Work and pray, live on hay G D ...
The song, set in a self-service restaurant modeled on the Horn & Hardart Automat, is sung in the play by a group of once-wealthy citizens who were awaiting better times, as mirrored in the song's opening lyrics: Just around the corner, there's a rainbow in the sky, So let's have another cup of coffee, and let's have another piece of pie.
"On The Way To The Sky" is a song written by Neil Diamond and Carole Bayer Sager. The song was first released in April of 1981 on Bayer Sager's solo album Sometimes Late at Night . Diamond recorded the song the same year, and made it the title track of his fourteenth studio album .
"Today" is a folk rock ballad written by Marty Balin and Paul Kantner from the band Jefferson Airplane. It first appeared on their album Surrealistic Pillow with a live version later appearing on the expanded rerelease of Bless Its Pointed Little Head. Marty Balin said, "I wrote it to try to meet Tony Bennett. He was recording in the next studio.
It was intentionally melodramatic to conjure up an impression of incredible size. It was an extraordinary sound. On the old Mellotron Mark 2 there were these two chords that sounded really good on that instrument. There are some chords you can't play on that instrument because they'd be so out of tune. These chords created an incredible atmosphere.