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Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
XG sound board for (unknown) karaoke machine, audio inputs are suitable for microphone instead of line levels; Modular Synthesis Plug-in System MSPS plug-in sound board, supported by Motif series, MU series, S series, CS6x/CS6R, etc.. [40] PLG150-AN — Analog physical modeling synthesis, similar to AN1x
The number of frequency channels may be matched to the requirements of the intended application. A car audio equalizer might have a total of five to ten frequency bands. An equalizer for professional live sound reinforcement typically has some 25 to 31 bands, for more precise control of feedback problems and equalization of room modes.
The Yamaha PM5D-RH(remote head-amp) was all of the functionality of a PM5D in a 10 space rack that only required a PM5D-RH control surface. In 2007, Yamaha won a Technical Grammy for its NS-10 studio monitor , a speaker that dominated the mixing of pop and rock music throughout the world for at least 20 years. [ 6 ]
In the classic analog monitor mixer without faders, the console is set up as a large matrix mixer with the addition of equalization filters and other controls for each input. [ 1 ] Yamaha M7CL 19×8 matrix section, showing the 16 mix buses plus the main L/R/Mono buses routed to 8 matrix outputs.
Optonica amplifier (SM-3636) and tuner (ST-3636) from 1978. The Optonica brand was created and first launched by Sharp of Japan in 1975 to compete in the high-end audio market along with established brands such as Sansui Electric, Sony, Panasonic, Sanyo, Yamaha, Nakamichi, Onkyo, Fisher Electronics, Technics (brand), Pioneer Corporation, Kenwood Corporation, JVC, Harman Kardon and Marantz.