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A wide variety of costumes (called "mas") depicting traditional Trinidadian Carnival characters are seen throughout the Trinidad and Tobago Carnival. After emancipation in 1838, freed slaves combined African masking culture with French colonial influence [ 1 ] to create characters that parodied the upper-class customs and costumes of Carnival.
The costume is constructed so as to give the illusion of a dancer riding a small burro or donkey. [49] [48] This masquerade was brought to Trinidad by Venezuelan settlers. [50] Dame Lorraine – A voluptuous woman. [51] The costume parodies the dress of 18th-century French aristocratic women and is stuffed in the hips and bust. [52] Often ...
The costume won 17 awards, winning all of the competitions it was entered in. [1] At the request of the Trinidad and Tobago government, this costume was also used in a cultural presentation for Prince Charles of the United Kingdom during his official visit to Trinidad and Tobago in 2000.
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The Burrokeet (alternative spellings: Burroquite, borokit, borokite, bourriquite) [1] is a "donkey-man" character traditionally portrayed in Trinidad and Tobago Carnival.The name derives from the Spanish word burroquito (little donkey), the character's costume being constructed so as to give the illusion of a dancer riding a small burro or donkey.
Peter Minshall was born in Georgetown, Guyana on July 16, 1941. [1] He moved to Trinidad as a small child after his father took a job as a cartoonist. Growing up in Port of Spain, Minshall was exposed to Carnival from a young age.
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Her origins and identity can be traced back to colonial times in Trinidad and Tobago in the 18th and early 19th century, emerging from colonial French Masques. [2] Historically, Dame Lorraine masquerade featured a diverse array of performers, including not only liberated slaves and women but also cross-dressing men. [ 3 ]