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The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales . Like many musical scales, it is made up of seven notes : the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
The Ionian mode corresponds to the major scale. Scales in the Lydian mode are major scales with an augmented fourth. The Mixolydian mode corresponds to the major scale with a minor seventh. The Aeolian mode is identical to the natural minor scale. The Dorian mode corresponds to the natural minor scale with a major sixth. The Phrygian mode ...
Ionian mode or major scale: Ionian on C. Play ... Neapolitan major scale on C. Play ...
The First chord, EΔ13, contains the 1st, 2nd, 6th, and 7th degrees of the E major scale. A common choice here might have been the Ionian mode (major scale), but Satriani prefers the Lydian scale with its ♯4 - which is a perfectly acceptable choice as the chord itself does not specify ♮4 or ♯4.
Rhythmic modes were first used by the Notre-Dame school according to a classification numbered from 1 to 6. The patterns are all ternary, and vary in number (depending on the theorists' preferences) from four to nine. [3] The six most often described, forming the nucleus of the system, are: [4] [5] Long-short ; Short-long
Dominant seventh chord normally paired with mixolydian scale, [5] the fifth mode of the major scale. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. [7]
The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing note added (a ♯ 5) between the 5th and 6th degrees of the major scale. Adding the ♯ 5 note to the seven-note major scale allows the chord tones 1, 3, 5 and 6 (a major 6th chord) to land on on-beats when the scale is played sequentially.