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The Severe style, or Early Classical style, [1] was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century.
In the Neo-Attic style that revived the Severe style of the original bronzes, it shows idealized portraits of the two heroes: a clean-shaven Harmodius, thrusting a sword forward in his upraised right hand, another sword in his left hand; and Aristogeiton, also brandishing a sword, with a chlamys, or cape, draped over his left shoulder.
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.
Stylistically, the Charioteer is classed as "Early Classical" or "Severe" [7] (see Greek art). The statue is more naturalistic than the kouroi of the Archaic period, but the pose is still very rigid when compared with later works of the Classical period. One departure from the Archaic style is that the head is inclined slightly to one side.
Ancient Greek sculpture is categorised by the usual stylistic periods of "Archaic", "Classical" and "Hellenistic", augmented with some extra ones mainly applying to sculpture, such as the Orientalizing Daedalic style and the Severe style of early Classical sculpture.
[2] [3] Carved in bas-relief in the severe style, the extant upper fragment of the marble relief stele depicts two women holding what appear to be flowers or other objects. The work is held by the Louvre museum in the Department of Greek, Etruscan, and Roman Antiquities (inv. Ma 701).