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An order was given to evacuate the convent, however at that moment, a nun named Sr. St. Anthony (Marthe Delatre, daughter of Antoine Delatre) [3] placed a small statue of Our Lady of Prompt Succor on a window seat and Mother St. Michel began to pray aloud, "Our Lady of Prompt Succor, we are lost unless you hasten to our aid!"
Anthony preached instead to the fish, after which many people came to witness the miracle and hear the sermon. The legend derives from and is related to Francis of Assisi 's sermon to the birds , which was itself a common theme in religious paintings : one example of many is the circa 1290–1295 Giotto painting Predica agli uccelli [ it ...
Anthony of Padua, OFM, (Portuguese: António/Antônio de Pádua; Italian: Antonio di/da Padova; Latin: Antonius Patavinus) or Anthony of Lisbon (Portuguese: António/Antônio de Lisboa; Italian: Antonio da/di Lisbona; Latin: Antonius Olisiponensis; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231) [1] [2] was a Portuguese Catholic priest and member of the Order of Friars Minor.
Saint Anthony, Antony, or Antonius most often refers to Anthony of Padua, otherwise known as Saint Anthony of Lisbon, who is the patron saint of lost things in Christianity. This name may also refer to:
Frescoes by Altichiero da Zevio in the St. James Chapel. The Basilica contains several important images of the Madonna. The Madonna Mora is a statue of the Madonna with the Christ Child by the French sculptor Rainaldino di Puy-l'Evéque, dating from 1396. Her name refers to her black hair and olive skin tone, being interpreted as "swarthy".
The main features of the Ecumenical Rosary include praying the Nicene Creed on the crucifix or cross, praying a prayer known as "The Greatest Commandment" on "the three Hail Mary beads and all of the decades beads," and praying a prayer known as "The Great Commission"; when returning "to the medal at the end of the rosary," the Jesus Prayer is ...
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The Torment of Saint Anthony [2] (or The Temptation of Saint Anthony, c. 1487–88) is a painting by Michelangelo, who painted this close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is by Michelangelo is disputed. [3]