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These gave the elementally expanding mass a new dramatic expression in the modelling of shapes and in the structures of the surfaces. She combined the harmony of the curves of the blown shapes with the treatment of their walls with a decoration of bubbles along with bold "painterly strokes" of strands of coloured glass. [1]
Migishi Setsuko (三岸節子, January 3, 1905 – April 18, 1999) was a Japanese yōga (Western-style) painter. Known for employing vivid colors and bold strokes for still-life and landscape, Migishi contributed greatly to the establishment and elevation of the status of female artists in the Japanese art scene.
Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
Tintoretto's style of painting is characterized by bold brushwork and the use of long strokes to define contours and highlights. [40] His paintings emphasize the energy of human bodies in motion and often exploit extreme foreshortening and perspective effects to heighten the drama.
She has always maintained an isolated artistic individuality, [6] strong and bold in color and style. She was a painter of broad and heavy strokes, vivid colors, and monumental works. [5] While her works feature landscapes, still life, and other motifs, she was primarily a painter of female figures. [7]
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The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.