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Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Eliot's critique gained attention partly due to his claim that Hamlet is "most certainly an artistic failure." Eliot also popularised the concept of the objective correlative—a mechanism used to evoke emotion in an audience—in the essay. The essay is also an example of Eliot's use of what became known as new criticism. [2]
Topics include Eliot's opinions of many literary works and authors, including William Shakespeare's play Hamlet, and the poets Dante Alighieri and William Blake. [ 1 ] One of his most important prose works, " Tradition and the Individual Talent ", which was originally published in two parts in The Egoist , is a part of The Sacred Wood .
In "Hamlet and His Problems" Eliot presents the phrase "objective correlative." The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations. A particular emotion is created by presenting its correlated objective sign.
Eliot was born in Warwickshire in 1562, [3] attended Brasenose College, Oxford in 1580 [4] but probably didn't take a degree, lived in France (three years in Paris at the College of Montaigu, [5] a year as a schoolmaster in Orleans at the "College of Affricans," [5] and another ten months in Lyons), [5] travelled in Italy (as far as Naples, he says) and perhaps (he claims, but it seems ...
Eliot uses John Donne's poetry as the most prominent example of united sensibility and thought. He writes, "[a] thought to Donne was an experience; it modified his sensibility." Eliot's apparent appreciation of Donne's ability to unify intellectual thought and the sensation of feeling demonstrates that he believes dissociation of sensibility to ...
The evaluation of Eliot's criticism occurred relatively early; for example, an appraisal of his work focusing exclusively on Eliot the critic (as opposed to Eliot the poet) appeared in 1941 in a book by John Crowe Ransom. Ransom, participating in the New Critical tradition of borrowing from Eliot, writes that
The poems, including "A Song for Simeon", were later published in both the 1936 and 1963 editions of Eliot's collected poems. [2] In 1927, Eliot had converted to Anglo-Catholicism and his poetry, starting with the Ariel Poems (1927–31) and Ash Wednesday (1930), took on a decidedly religious character. [3] "A Song for Simeon" is seen by many ...