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"Loving Cup" is a song by the Rolling Stones, which appears on their 1972 album Exile on Main St. An early version of "Loving Cup", with a completely different piano intro, was recorded between April and July 1969 at Olympic Sound Studios in London, during the Let It Bleed sessions.
Exile on Main St. is the tenth studio album by the English rock band the Rolling Stones, released on 12 May 1972, by Rolling Stones Records. [3] The 10th released in the UK and 12th in the US, it is viewed as a culmination of a string of the band's most critically successful albums, following Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971). [4]
The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Jerry Leiber/Artie Butler: Jagger "Down in the Bottom" 1995 2016 Totally Stripped: Willie Dixon Jagger "Down in the Hole" 1979 1980 Emotional Rescue: Jagger/Richards Jagger "Down the Road a Piece" 1964 1965 The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Don Raye: Jagger ...
“Sweet Black Angel” is a country-blues ballad with a West Indian rhythm. Jagger is on lead vocals and harmonica, Richards on guitar and backing vocals, Mick Taylor on guitar, Bill Wyman on bass and Charlie Watts on drums.
With lyrics like “I got my head out the sunroof, I’m blasting our favorite tunes,” you’ll be singing along on your way to the beach, barbecue or wherever your summer plans take you ...
Shine a Light features guest musicians Jack White on "Loving Cup", Christina Aguilera on "Live with Me" and Buddy Guy on "Champagne and Reefer". The album was well-received, especially in the UK, where it debuted at No. 2, selling 23,013 copies in its first week [ 6 ] – the best chart position for a Rolling Stones concert album since Get Yer ...
The Rolling Stones recorded "Tumbling Dice" at a pivotal stage in their history. While recording Exile on Main St. in 1971, the band became UK tax exiles and moved to southern France to avoid paying a 93 per cent supertax imposed by Prime Minister Harold Wilson's Labour government on the country's top earners.
The song itself is a low and lumbering blues number, with Bill Janovitz saying in his review, “the instrumental arrangement clearly aims for the Chess Studios approach.” [2] Jagger double tracks the lead vocal, a studio technique rarely used in Rolling Stones recordings.