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Pandav Lila or Pandav Nritya (Sanskrit; literally "play of the Pandavas" and "dance of the Pandavas" respectively) is a ritual re-enactment of stories from the Hindu epic Mahabharata, through singing, dancing and recitation, that is practised in the Garhwal region of Uttarakhand, India.
Compound verbs, a highly visible feature of Hindi–Urdu grammar, consist of a verbal stem plus a light verb. The light verb (also called "subsidiary", "explicator verb", and "vector" [ 55 ] ) loses its own independent meaning and instead "lends a certain shade of meaning" [ 56 ] to the main or stem verb, which "comprises the lexical core of ...
Indian dance (nritta, नृत्त) traditions, states Daniel Meyer-Dinkgräfe, have roots in the aesthetics of Natyashastra. [ 1 ] [ 84 ] The text defines the basic dance unit to be a karana , which is a specific combination of the hands and feet integrated with specific body posture and gait ( sthana and chari respectively).
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.
The evidence of earliest dance related texts are in Natasutras, which are mentioned in the text of Panini, the sage who wrote the classic on Sanskrit grammar, and who is dated to about 500 BCE.
Mahabharata Manuscript illustration of the Battle of Kurukshetra Information Religion Hinduism Author Vyasa Language Sanskrit Period Principally compiled in 3rd century BCE–4th century CE Chapters 18 Parvas Verses 200,000 Full text Mahabharata at Sanskrit Wikisource Mahabharata at English Wikisource Part of a series on Hindu scriptures and texts Shruti Smriti List Vedas Rigveda Samaveda ...
Early Buddhist literature provides the earliest evidence for the existence of Indian theatre. The Pali suttas (ranging in date from the 5th to 3rd centuries BCE) refer to the existence of troupes of actors (led by a chief actor), who performed dramas on a stage. It is indicated that these dramas incorporated dance, but were listed as a distinct ...
[1] [5] [6] The other two components of sangita are gita (vocal music, song) and nritya (dance, movement). [ 1 ] [ 7 ] [ 4 ] In the general sense, vadya means an instrument and the characteristic music they produce, sound, or play out.