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Genre is often the first judgement made of ancient literature; types of literature were not clearly defined, and all Sumerian literature incorporated poetic aspects. Sumerian poems demonstrate basic elements of poetry, including lines, imagery, and metaphor. Humans, gods, talking animals, and inanimate objects were all incorporated as characters.
Istanbul #2461 (also Ni 2461, [1] L.2461) is an ancient Sumerian cuneiform tablet. Some have labelled it the world's oldest love poem. [2] [3] It is on display at the Istanbul Museum of the Ancient Orient (Mesopotamia Hall). [3] It is an erotic poem addressed to king Shu-Sin (reigned 20th or 21st century BC) by an unnamed female speaker.
The Epic of Gilgamesh (/ ˈ ɡ ɪ l ɡ ə m ɛ ʃ /) [2] is an epic from ancient Mesopotamia.The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames" [3]), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). [1]
Gilgamesh and Aga, sometimes referred to as incipit The envoys of Aga (Sumerian: lu2 kin-gi4-a aka [1]), is an Old Babylonian poem written in Sumerian. The only one of the five poems of Gilgamesh that has no mythological aspects, it has been the subject of discussion since its publication in 1935 and later translation in 1949. [2]
It is both browsable and searchable and includes transliterations, composite texts, a bibliography of Sumerian literature and a guide to spelling conventions for proper nouns and literary forms. The purpose of the project was to make Sumerian literature accessible to those wishing to read or study it, and make it known to a wider public. [1]
Gilgamesh (/ ˈ ɡ ɪ l ɡ ə m ɛ ʃ /, [7] / ɡ ɪ l ˈ ɡ ɑː m ɛ ʃ /; [8] Akkadian: 𒀭𒄑𒂆𒈦, romanized: Gilgameš; originally Sumerian: 𒀭𒄑𒉋𒂵𒎌, romanized: Bilgames) [9] [a] was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC.
The myth was developed with the addition of CBS 8384, translated by George Aaron Barton in 1918 and first published as "Sumerian religious texts" in "Miscellaneous Babylonian Inscriptions," number eleven, entitled "A Fragment of the so-called 'Liturgy to Nintud.'" [6] The tablet is 5.25 by 2.4 by 1.2 inches (13.3 by 6.1 by 3.0 cm) at its ...
The lament for Sumer and Urim or the lament for Sumer and Ur is a poem and one of five known Mesopotamian "city laments"—dirges for ruined cities in the voice of the city's tutelary goddess. The other city laments are: The Lament for Ur; The Lament for Nippur [1] The Lament for Eridu; The Lament for Uruk [2]