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Makima (Japanese: マキマ, Hepburn: Makima) is a fictional character from Tatsuki Fujimoto's manga series Chainsaw Man. She is the main antagonist of Part 1, the "Public Safety Saga", and is the caretaker of main character Denji , promising him food and shelter if he comes under her care and threatening him with death otherwise.
Chainsaw Man (Japanese: チェンソーマン, Hepburn: Chensō Man) is a Japanese manga series written and illustrated by Tatsuki Fujimoto.Its first arc was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from December 2018 to December 2020; its second arc began serialization in Shueisha's Shōnen Jump+ app and website in July 2022.
In visual art, horror vacui (Latin for 'fear of empty space'; UK: / ˌ h ɒ r ə ˈ v æ k j u aɪ /; US: /-ˈ v ɑː k-/), or kenophobia (Greek for 'fear of the empty'), [1] is a phenomenon in which the entire surface of a space or an artwork is filled with detail and content, leaving as little perceived emptiness as possible. [2]
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 29 January 2025. Online horror fiction Creepypastas are horror -related legends or images that have been copied and pasted around the Internet. These Internet entries are often brief, user-generated, paranormal stories intended to scare, frighten, or discomfort readers. The term "creepypasta" originates ...
The original Backrooms image posted on 4chan, of a HobbyTown under renovation.. The Backrooms are a fictional location originating from a 2019 4chan thread. One of the best known examples of the liminal space aesthetic, the Backrooms are usually portrayed as an impossibly large extradimensional expanse of empty rooms, accessed by exiting ("no-clipping out of") reality.
Poster of the horror film Ghost-Cat of Gojusan-Tsugi (1956) After the bombing of Hiroshima and Nagasaki in 1945, Japanese horror cinema would mainly consist of vengeful ghosts, radiation mutants, and kaiju (giant irradiated monsters) starting with Godzilla (1954). [9] The post-war era is also when the horror genre rose to prominence in Japan. [9]
The kawaii aesthetic is characterized by soft or pastel colors, rounded shapes, and features which evoke vulnerability, such as big eyes and small mouths, and has become a prominent aspect of Japanese popular culture, influencing entertainment (including toys and idols), fashion (such as Lolita fashion), advertising, and product design.