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The biography establishes Lambert as having had her gender altered from male to female. On the extras of a DVD presentation, one could see Lambert's full bio, which reads: "Despin Convert at birth (male to female). So far no indication of suppressed traumas related to gender alteration". United States [32] 1979 Life of Brian: Loretta Trans woman
This article lists lesbian, gay, bisexual, transgender, or queer-related films involving participation and/or representation of LGBTQ people. The list includes films that deal with or feature significant LGBTQ issues or characters.
Films about gender include subjects about the role of gender in relationships, not necessarily couple relationships. They can be about the meaning behind the identity of being a "man" or a "woman", the stereotypes related to them and the behaviors expected from men and women. Films about gender can also engage in the question of gender among LGBTs.
Films about prejudice, an affective feeling towards a person or group member based solely on that person's group membership (tribal behavior).The word is often used to refer to preconceived, usually unfavourable, feelings towards people or a person because of their political affiliation, sex, gender, beliefs, values, social class, age, disability, religion, sexuality, race/ethnicity, language ...
Films about discrimination. Subcategories. This category has the following 8 subcategories, out of 8 total. A. Animated films about discrimination (1 C, 7 P)
Between the billion-dollar grossing Super Mario Bros. Movie and the box office tidal waves generated by The Little Mermaid and Across the Spider-Verse, family-friendly fare is shaping up to be ...
Twilight Zone: The Movie; 1984. The Cotton Club; The Killing Floor TV; Places in the Heart; A Soldier's Story; The Times of Harvey Milk* 1985. The Color Purple; 1986. Native Son; Resting Place TV; Soul Man; Wildcats; 1987. Ethnic Notions* (1 sequel: 1992*) A Gathering of Old Men TV; Who Killed Vincent Chin?* 1988. Alien Nation ; Betrayed; Bird ...
A study suggests that gender participation in the movie industry is highly correlated with audience expectations of characters in preferred genres such as comedy or drama. Because these characters have remained generally consistent over time since the era of Shakespearean plays, audience preferences have been fixed on certain gender and age ...