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The Screwtape Letters represent his side of the correspondence with his nephew Wormwood, as mentor to the young demon who is charged with the guidance of one man. He has a secretary called Toadpipe. The Toast is Screwtape's after-dinner speech at the Tempters' Training College and satirises American and British or English public education.
The Screwtape Letters is a Christian apologetic novel by C. S. Lewis and dedicated to J. R. R. Tolkien.It is written in a satirical, epistolary style and, while it is fictional in format, the plot and characters are used to address Christian theological issues, primarily those to do with temptation and resistance to it.
There is another work based on The Screwtape Letters called To My Dear Slimeball. It is a spin-off that is meant mostly for youth, but I think it should be on the "Other literary sequels" list. The book is written by Rich Miller, in 1995. 120.29.112.93 ( talk ) 10:53, 30 January 2018 (UTC) [ reply ]
Chris Zucchero, owner of Chicago’s beloved Italian sandwich shop Mr. Beef, is on the “L” trying to get a word in on the phone. He just wrapped up a long two days of catering parties for FX ...
Carmy has unrelentingly worked to transform his late brother’s Original Beef of Chicagoland into a five-star establishment called, fittingly, The Bear. There’s just one problem: Claire is a ...
P. J. O'Rourke wrote that "Mary Eberstadt is the rightful heir and assignée of CS Lewis, and her heroine in The Loser Letters is the legitimate child (or perhaps grandchild) of 'the patient' in The Screwtape Letters." [40]
The Bear premiered on FX on Hulu in the United States on June 23, 2022, [26] and became available internationally in the Star hub on Disney+. [27] The 10-episode second season was released on June 22, 2023. [28] Along with other Hulu content, The Bear became available to stream on Disney+ in the United States via the Hulu hub on December 6 ...
The symphony has long been popularly referred to as "the Bear". As with the nicknames of all Haydn's symphonies, it did not originate with the composer. Instead, the name derives from a recurring feature from the last movement (including its famous opening), in which Haydn imitates the tonality of bagpipes or Dudelsack: a low sustained drone, accentuated by a grace-note on the downbeat.