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The title page of the book, 1790, copy D, held by the Library of Congress [1]. The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake.It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs.
Rintrah is a character in William Blake's mythology, representing the just wrath of the prophet.Rintrah first appears in The Marriage of Heaven and Hell: "Rintrah roars and shakes his fires in the burdened air" shows him personifying revolutionary wrath. [1]
This is an accepted version of this page This is the latest accepted revision, reviewed on 30 January 2025. English poet and artist (1757–1827) For other people named William Blake, see William Blake (disambiguation). William Blake Portrait by Thomas Phillips (1807) Born (1757-11-28) 28 November 1757 Soho, London, England Died 12 August 1827 (1827-08-12) (aged 69) Charing Cross, London ...
Rintrah first appears in The Marriage of Heaven and Hell, personifying revolutionary wrath. He is later grouped together with other spirits of rebellion in the Visions of the Daughters of Albion: The loud and lustful Bromion. The "mild and piteous" Palamabron, son of Enitharmon and Los (also appears in Milton).
The prophetic books of the 18th-century English poet and artist William Blake are a series of lengthy, interrelated poetic works drawing upon Blake's own personal mythology. They have been described by 20th-century critic Northrop Frye as forming "what is in proportion to its merits the least read body of poetry in the English language". [1]
This can be called a marriage made in hell because religion and the power of government, when combined, distort each other: religions gain coercive power from the ruler and rulers use religion to ...
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William Blake (1757–1827), who inspired the book's title and writing style, was an influential English artist most notable for his paintings and poetry. The "doors of perception" was originally a metaphor written by Blake in his 1790 book, The Marriage of Heaven and Hell. The metaphor was used to represent Blake's feelings about mankind's ...