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1950s-style credenza 15th- or 16th-century Italian credenza Modern built-in or fitted credenza. A credenza is a dining room sideboard or display cabinet, [1] [2] usually made of burnished and polished wood and decorated with marquetry. The top would often be made of marble, or another decorative liquid- and heat-resistant stone.
The credenza desk is sometimes flat, like a pedestal desk, but more often than not it has a stack of shelves, small drawers and other nooks above its main working surface. The sum of these overhead amenities is usually called a hutch. Hence, the credenza desk is often called a "credenza with hutch".
Marengo is a shade of gray (black with gray tinge) or blue colors. [5] [6] Sometimes the color is described as a color of a wet asphalt. In the cloth manufacturing industry, marengo usually refers to the color of the fabric and means black or dark brown with small inclusions of white. Sometimes the word refers to black fabric with white threads ...
White is at the extreme upper end of the achromatic value scale and black is at the extreme lower end of the achromatic value scale, with all the colors normally considered tones of achromatic gray colors in between. Since achromatic colors have no hue, the hue code (h code) is left blank for achromatic colors (usually marked as a dash).
The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.
The figure-ground theory of urban design and urban morphology is based upon the use of figure ground studies. It relates the amount of "figure" to the amount of "ground" in a figure-ground diagram, and approaches urban design as a manipulation of that relationship, as well as being a manipulation of the geometric shapes within the diagram.
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