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The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
The Old Vicarage, Grantchester" is a light poem by the English Georgian poet Rupert Brooke (1887–1915), written in Berlin in 1912. Initially titled "The Sentimental Exile", Brooke, with help from his friend Edward Marsh , renamed it to the title the poem is now commonly known as.
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
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The poem answers its own questions by pointing out that his best work is inspired by fidelity to the subject of the poems. [ 3 ] The sonnet seems to be sincerely self-denigrating about the poet's lack of variety, and lack of incorporating the latest fashions, but at the same time there is a sense that the self-effacing pose doesn't ring true.
"The King's Breakfast" is a poem by A. A. Milne, first published in When We Were Very Young (1924). It is about "a monarch who sulks when the cow refuses to provide milk." [1] Damon Young calls it a "witty portrait of moping". [1] The poem was made into a film in 1963. The poem features an Alderney cow, a breed which became extinct in the 1940s.
Carol Boggess: James Still : a life, Lexington, Kentucky : The University Press of Kentucky 2017, 2017, ISBN 978-0-8131-7418-1; Appalachian Heritage, Fall 2010 issue, in which Still is the featured author; a number of articles discuss his life and work, and previously unpublished prose and poetry by Still is presented. Crum, Claude Lafie. (2007).
"This Be The Verse" is a lyric poem in three stanzas with an alternating rhyme scheme, by the English poet Philip Larkin (1922–1985). It was written around April 1971, was first published in the August 1971 issue of New Humanist , and appeared in the 1974 collection High Windows .