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Contemporary classical music is Western art music composed close to the present day. At the beginning of the 21st century , it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern , and included serial music , electronic music , experimental music , and minimalist music .
Dangdut is a popular semitraditional music genre of Indonesia which is partly derived of Indian, Arabic, and Malay music in the late 1960s in Jakarta city. It consists of melodious and harmonical music with the main tabla as the percussion beat especially in the classical dangdut versions.
Moderate conservatism is a politically moderate version of conservatism that is less demanding than classical conservatism, and can be divided into several subtypes, such as liberal conservatism.
In music, neoconservative postmodernism is "a sort of 'postmodernism of reaction'", [1] which values "textual unity and organicism as totalizing musical structures" like "latter-day modernists". [2] Neoconservative modernism...critically engages modernism, but rejects it out of hand.
Modern conservative parties often define themselves by their opposition to liberal or socialist parties. The United States usage of the term conservative is unique to that country, where its first modern usage was for pro-free enterprise opponents of the New Deal .
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
Western classical music; Early music; Medieval: c. 500–1400 • Ars antiqua: c. 1170–1310 ... Modern and contemporary: 20th century classical (1900–2000)
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.