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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le 1er prélude de piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from Book ...
Jungfrau mild'] for voice and piano, Ave Maria or Hymne an die Jungfrau (1825) No. 7 – D 843 , Song "Lied des gefangenen Jägers" ['Mein Roß so müd'] for voice and piano (1825) Op. posth. 124 – D 857 , Two songs Zwei Szenen aus dem Schauspiel "Lacrimas" for voice and piano (1825)
In 1825, Schubert composed a selection of seven songs from Scott's The Lady of the Lake.They were published in 1826 as his Opus 52. The songs are not intended for a single performer: the three songs of Ellen are for a woman's voice with piano accompaniment, while the songs for Norman and Malcolm Graeme were intended for the baritone Johann Michael Vogl.
Op. 67 No. 2 Ave Maria (1894-5) Op. 68 Allegro symphonique (1895), arr. for piano 4 hands from 1st movement of Symphonic Suite, Op. 20; Op. 69 Romance in A for cello and piano (1894) Op. 70 Barcarolle No. 6 in E-flat (1895) Op. 72 Pleurs d’or; Op. 73 Theme and Variations for piano (1895), orch. Inghelbrecht 1955 Theme; Variation I L'istesso tempo
Comment—I do find it difficult that the SDP has no reference to the fact that this music would have been composed during the mediaeval period; probably in the 9th–11th century. Do we know from where it emanated?
Ave Maria: Alleluja et Ave Maria d'Arcadelt: piano 1862 S.183 The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4. [3] The Ave Maria was based on Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Jacques Arcadelt's three-part madrigal Nous voyons que les hommes. [1 ...