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  2. Adoration of the Magi (Leonardo) - Wikipedia

    en.wikipedia.org/wiki/Adoration_of_the_Magi...

    The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto in Florence in 1481, but he departed for Milan the following year, leaving the painting unfinished. It has been in the Uffizi Gallery in Florence since ...

  3. How Nutcrackers Became a Classic Symbol of Christmas

    www.aol.com/nutcrackers-became-classic-symbol...

    Nutcracker dolls can trace their little wooden development back to the Ore Mountains of Germany in the late 17th century. Most often depicted as toy soldiers, they became gifts and symbols of good ...

  4. Nutcracker doll - Wikipedia

    en.wikipedia.org/wiki/Nutcracker_doll

    An average handcrafted nutcracker doll is made out of about 60 separate pieces. [2] Nutcracker dolls traditionally resemble toy soldiers, and are often painted in bright colors. [1] Different designs proliferated early; by the early 19th century there were ones dressed as miners, policemen, royalty or soldiers from different armies. [2]

  5. Nutcracker - Wikipedia

    en.wikipedia.org/wiki/Nutcracker

    The lever design may derive from blacksmiths' pincers. Materials included metals such as silver, cast-iron and bronze, [3] and wood including boxwood, especially those from France and Italy. [1] More rarely, porcelain was used. [3] Many of the wooden carved nutcrackers were in the form of people and animals. [1] A screw nutcracker

  6. 15 Expensive Nutcrackers That Put Our Basic Ones to Shame - AOL

    www.aol.com/finance/15-expensive-nutcrackers-put...

    Read more The post 15 Expensive Nutcrackers That Put Our Basic Ones to Shame appeared first on Wealth Gang. Skip to main content ...

  7. Transfer of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Transfer_of_panel_paintings

    Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1]The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.

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