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Gothic. Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet. Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1] Radcliffe was the most popular writer of her day ...
Algernon Blackwood, The Willows (1907) Robert Bloch, Black Bargain (1942) and Psycho (1959) Petrus Borel, Champavert, contes immoraux (1833) Marjorie Bowen, Black Magic: a Tale of the Rise and Fall of the Antichrist (1909) Ray Bradbury, The Fog Horn (1951) Ivo Brešan, Cathedral (2007) [2]
(1827) features standard Gothic motifs, characters, and plot, but with one significant twist; it is set in the twenty-second century and speculates on fantastic scientific developments that might have occurred three hundred years in the future, making it and Frankenstein among the earliest examples of the science fiction genre developing from ...
t. e. As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest.
The Bloody Chamber (or The Bloody Chamber and Other Stories) is a collection of short fiction by English writer Angela Carter. It was first published in the United Kingdom in 1979 by Gollancz [ 1 ] and won the Cheltenham Festival Literary Prize. The stories are all based on fairytales or folk tales.
Rappaccini's Daughter is a Gothic story. Beatrice is socially and physically isolated from the rest of the world. Due to supernatural causes or due to Dr Rappaccini's mysterious scientific experiments, she seems to belong to the garden only, a flower among flowers: she lives a happy life until she meets Giovanni, with whom she falls in love ...
A decade later, Clara Reeve wrote The Old English Baron, the first "Gothic" novel to be penned by a woman, and in 1783 Sophia Lee produced The Recess, a story set in the time of Queen Elizabeth I. [10] These works prefigured much of the material and themes that Radcliffe would synthesise in her novels, most particularly ideas of the ...
The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century femme fatale iconography. [3] The poem continues to be referred to in many works of literature, music, art, and film.