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The Complex of Huế Monuments (Vietnamese: Quần thể di tích Cố đô Huế) is a UNESCO World Heritage Site-listed relic complex located in the city of Huế, central Vietnam. Established as the capital of newly unified Vietnam in 1802 under the reign of emperor Gia Long , Hue played a vital role as the political, cultural, and religious ...
Sad Song of Yellow Skin is a 1970 direct cinema-style documentary, produced by the National Film Board of Canada, on the effects of the Vietnam War on street children in Saigon. [ 2 ] [ 3 ] Production
Tam Cốc – Bích Động is a popular tourist destination in north Vietnam and part of the Tràng An Scenic Landscape Complex UNESCO World Heritage site. [1] It is located in Ninh Binh province , near the village of Tam Cốc.
Yellow Flowers on the Green Grass (Vietnamese: Tôi thấy hoa vàng trên cỏ xanh) is a 2015 Vietnamese film. It was adapted from the novel of the same name by Nguyễn Nhật Ánh . It was directed by Victor Vũ and produced by Galaxy Media & Entertainment Saigon Concert , Phương Nam Film , PS Việt Nam and K+ Television channel. [ 3 ]
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
The scholar Nguyễn Bỉnh Khiêm (aka Trang Trình, 1491–1585) was said to have used a Hòn non bộ to provide guidance while predicting the fate or destiny of others. [ 8 ] Hòn non bộ , as well as miniature plants and rocks, are mentioned in Đoạn Trường Tân Thanh , a thousand-page book by Nguyễn Du (1766–1820). [ 9 ]
Vạn Phúc gauze. Vạn Phúc is a village traditionally associated with silk weaving in Hà Đông, 8 km south-west of Hanoi. [1] In Vietnamese it is called both làng lụa Vạn Phúc "Van Phuc silk village" and làng lụa Hà Đông after the larger village ("làng") area name.
Trịnh Công Sơn wrote over 500 songs during the 1960s and 1970s. Sơn was influenced by the shrill demands of American anti-war protesters, which had been brought to Vietnam by none other than young American soldiers." [5] He became one of South Vietnam's notable singer-songwriters, after his first hit, Ướt mi (Tearing Lashes) in 1958.