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"Suicide Is Painless" (also known as "Theme from M*A*S*H" or "Song from M*A*S*H") is a song written by Johnny Mandel (music) and Michael Altman for the 1970 film M*A*S*H. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers .
move to sidebar hide (Top) 1 See also. Toggle the table of contents. ... The following articles contain lists of theme songs: List of television theme music;
Johnny Mandel, the Oscar- and Grammy-winning songwriter of “The Shadow of Your Smile,” “Emily” and the theme from “MASH,” has died. “I was so sad to learn that a hero of mine, Johnny ...
The plot device of Radar O'Reilly planting a microphone in Margaret's tent and embarrassing her and Frank by broadcasting them over the camp PA system originally appeared in the original MASH film. Some original M*A*S*H production personnel consider this to be the worst episode of the series, centering as it does on Hawkeye and Trapper trying ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
On Monday, Jan. 1, M*A*S*H fans are invited to ring in the new year with M*A*S*H: The Comedy That Changed Television, a two-hour special airing on Fox and featuring new interviews with series vets ...
When Radar tells him he is not allowed to use the phone for this purpose per Potter's orders, Winchester angrily removes the Grape Nehi. Major Houlihan - a "head nurse who is part seductress and part Attila the Hun". Father Mulcahy - a "cock-eyed optimist who sounds like Dennis Day". B. J. Hunnicutt - a "relatively inoffensive chap". B.J. pulls ...
This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes). As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.