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It is named after the ABBA song "That's Me". In addition to solo hits by Fältskog, the album includes three ABBA songs with lead vocals by Agnetha and the recently discovered 1981 demo of "The Queen of Hearts". Complementing this album is the 1996 compilation My Love, My Life, which concentrates on her Swedish-language hits.
As of 2020, ABBA has sold almost 400 million records worldwide [1] becoming one of the best-selling music artists in history. They have scored 9 No. 1 singles and 10 No. 1 albums in the UK, becoming the most successful Swedish act of all time on the Official Charts .
"That's Me", originally "Coachman's Farm", is a song recorded by the Swedish pop group ABBA in 1976. It was released as a single in Japan with Money Money Money as its B-Side in July 1977 as the fourth and final single from the album Arrival album. It reached number 75 on the official Japanese charts.
A new authorised biography about Swedish superstars Abba has offered a behind-the-scenes look at the making of one of their best-known songs, “Dancing Queen”.. Melancholy Undercover: The book ...
[10] "Knowing Me, Knowing You" continues to be regarded as one of ABBA's finest songs. In 2017, Billboard ranked the song number four on their list of the 15 greatest ABBA songs, [11] and in 2021, Rolling Stone ranked the song number two on their list of the 25 greatest ABBA songs. [12]
Jeff Tweedy Talks About Loving ABBA, the Replacements and Rosalía (and Hating ‘Happy Birthday’) in New Book, ‘World Within a Song’
Carl Magnus Palm’s first book was Monica Zetterlund – En diskografi (1992), a discography about the Swedish jazz singer, co-written with Thomas Winberg. He has also written a book about The Beatles, entitled Beatles Beatles (1996), and in 2010 he co-wrote Tunna skivor av mig, the memoirs of Swedish singer Siw Malmkvist.
Managing Information, Volume 7, Issues 6-10 explains "Songs such as I Let the Music Speak', and the album's title-track [The Visitors] were a major break from their traditional style." [ 7 ] ABBA:Let the music speak describes the song as a "thespian ear-grabber" and "a rich tapestry of rhythmic contemplation, deftly easing from waltz to march ...