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The core guitar riff that "Dangerous Type" is centered on resembles the T. Rex song, "Bang a Gong". [1] [2] The song features Ric Ocasek on lead vocals.AllMusic critic Tom Maginnis compared the song to "All Mixed Up", a track on The Cars' self-titled debut album, as they both were the final track on their respective albums, with both tracks "vamping on an upsweep of grand chord changes as the ...
Upon the single release Record World said that the "group has now had three straight hit singles, and this mover will keep their streak alive." [11] Ultimate Classic Rock critic Michael Gallucci rated "China Grove" as the Doobie Brothers' 5th greatest song, praising the guitar riffs and calling it "the group's toughest-sounding song."
He recorded with Herman's Hermits, playing the distinctive guitar riff in the intro and bridge of "Silhouettes", a 1965 UK Top 5 hit. [ n 1 ] [ 10 ] With the George Martin Orchestra, he plays solo guitar, using his Olympic white 1961 Fender Stratocaster , on the song “ Ringo's Theme (This Boy) ” of the Beatles' 1964 film “ A Hard Day's ...
"Pressure" is a power pop and pop rock song with contrasting horns and guitars, reminiscent of nerd rock. [1] [2] [3] The song features several interchanging riffs. [4]Prior to the release of the single, Muse frontman Matt Bellamy expressed that the single would be a "straight Muse rock track" [1] and return to the band's "classic" sound, following the release of "Something Human".
The group re-recorded it two days later at RCA Studios in Hollywood, California, with a different beat and the Maestro fuzzbox adding sustain to the sound of the guitar riff. [ 10 ] [ 11 ] Richards envisioned redoing the track later with a horn section playing the riff: "this was just a little sketch, because, to my mind, the fuzz tone was ...
The classic E Street Band sound is immediately present on "Badlands", as a brief drum intro kicks in to a powerful piano-and-electric guitar riff. The song is taken fast, with Max Weinberg's dynamic drumming; indeed it contains his most well-known beat, a one-two-three-four-five-six-(double time) one-two-three pattern underneath the verses.
The guitar solo intro (which returns at the end of both choruses) was performed on a 12-string Rickenbacker guitar. [9] At the end of the first chorus, Garbage recorded a multi-tracked harmony vocal from Manson ("I can't think of any latter-day bands where a female is singing those sort of stacked '60's style vocals").
The song, spanning three minutes and 21 seconds, begins with a one-measure opening guitar riff that alludes to the E ♭ major-pentatonic scale. [10] Corgan uses this riff (along with variations on it) to emphasize certain parts and to indicate shifts in the song. [ 9 ]