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Mahalia Jackson (/ m ə ˈ h eɪ l i ə / mə-HAY-lee-ə; born Mahala Jackson; October 26, 1911 – January 27, 1972) [a] was an American gospel singer, widely considered one of the most influential vocalists of the 20th century.
Mahalia Jackson (1911 – 1972) was the preeminent gospel singer of the 20th century, her career spanning from about 1931 to 1971. She began singing in church as a child in New Orleans, then moved to Chicago as an adolescent and joined Chicago's first gospel group, the Johnson Singers.
Other notable recordings of this work have been made by Mahalia Jackson (1951, winner of the Grammy Award for Best Soul Gospel Performance in 1976), and the Blind Boys of Alabama (2008 on their album Down in New Orleans). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. [2]
"Move On Up a Little Higher" is a gospel song written by W. Herbert Brewster, first recorded by Brother John Sellers in late 1946 [1] and most famously recorded on September 12, 1947 by gospel singer Mahalia Jackson, whose version sold eight million copies [2] and is the best-selling gospel song of all time.
Traditional; arranged by Mahalia Jackson: 4:20 3. Jesus Met the Woman at the Well: James W. Alexander, Kenneth Morris: 2:28 4. Oh Lord Is It I? Robert Anderson: 2:51 5. I Will Move on Up a Little Higher: Rev. William Herbert Brewster: 5:26 6. When the Saints Go Marching In: Traditional; arranged by Mahalia Jackson: 3:54 7. Jesus: Aaron Coleman ...
Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity. [2]
Robin Roberts Presents: Mahalia is a 2021 American biographical musical drama television film directed by Kenny Leon, written by Bettina Gilois and Todd Kreidler, and executive-produced by Robin Roberts. [1] It stars Danielle Brooks as gospel singer Mahalia Jackson. Jason Dirden, Olivia Washington, Rob Demery and Joaquina Kalukango also round ...
The structure of Jackson's rendition is interesting because it does not follow the traditional spiritual composition format of four-line stanzas in the AAAB or AABA rhyme scheme. [3] Instead, it is composed in three-line stanzas that follow the AAB rhyme scheme which might be attributed to being a gospel adaptation of the traditional spiritual ...