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An ADC with an intermediate FM stage first uses a voltage-to-frequency converter to produce an oscillating signal with a frequency proportional to the voltage of the input signal, and then uses a frequency counter to convert that frequency into a digital count proportional to the desired signal voltage. Longer integration times allow for higher ...
Effective number of bits (ENOB) is a measure of the real dynamic range of an analog-to-digital converter (ADC), digital-to-analog converter (DAC), or associated circuitry. . Although the resolution of a converter may be specified by the number of bits used to represent the analog value, real circuits however are imperfect and introduce additional noise and distor
In music, dynamic range describes the difference between the quietest and loudest volume of an instrument, part or piece of music. [49] In modern recording, this range is often limited through dynamic range compression , which allows for louder volume, but can make the recording sound less exciting or live.
Differential nonlinearity (acronym DNL) is a commonly used measure of performance in digital-to-analog (DAC) and analog-to-digital (ADC) converters. It is a term describing the deviation between two analog values corresponding to adjacent input digital values.
Music power has been making a comeback in recent years. See also Audio power . Power specifications require the load impedance to be specified, and in some cases two figures will be given (for instance, the output power of a power amplifier for loudspeakers will be typically measured at 4 and 8 ohms ).
An analog-to-digital converter (ADC) can be modeled as two processes: sampling and quantization. Sampling converts a time-varying voltage signal into a discrete-time signal, a sequence of real numbers. Quantization replaces each real number with an approximation from a finite set of discrete values.
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Latency refers to a short period of delay (usually measured in milliseconds) between when an audio signal enters a system, and when it emerges.Potential contributors to latency in an audio system include analog-to-digital conversion, buffering, digital signal processing, transmission time, digital-to-analog conversion, and the speed of sound in the transmission medium.