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The diamond, which is protected by bulletproof glass in the Hall of Gems, is the only red diamond on public display; all the others are privately owned. [1] Another diamond given by DeYoung in 1962, a 2.90-carat pear-shaped pink diamond obtained from Williamson mine in Tanzania, is displayed alongside the red diamond. [8]
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File:A Dangerous Profession poster.jpg; File:A Date With Judy film poster.jpg; File:A Desperate Chance for Ellery Queen poster.jpg; File:A Dispatch from Reuters 1940 poster.jpg; File:A Double Life poster.jpg; File:A Gentleman at Heart poster.jpg; File:A Girl, a Guy and a Gob.jpg; File:A good time for a dime poster.jpg; File:A Guy Could Change ...
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
The sons of a Swedish painter and Latvian mother, both were born in Moscow, Russia but remained Swedish citizens until 1933. [4] [6] They first studied engineering, then attended the Stroganov School of Applied Art in Moscow, 1912–1917, and subsequently the Moscow Svomas (free studios), where they and other students designed decorations and posters for the first May Day celebration in 1918.
De Yong returned to the movie industry as a costume designer and historical consultant in the 1930s-1950s. He worked on The Plainsman in 1937, [4] Union Pacific in 1939, Buffalo Bill in 1944, Red River in 1948, and Shane 1953. [5] De Yong's etchings depicted the Old West, including Native Americans and cowboys, as well as polo players. [3]
Diamond releases her new single ‘Poster Girl’ two years after Larsson put out her album of the same name
Guy Peellaert's design for David Bowie's Diamond Dogs album. Peellaert was born into an aristocratic family, but left home at an early age. He studied fine arts in Brussels, and became heavily influenced by American and British pop culture, film noir and pulp literature, before making his debut as a decorator for theaters and comic strip artist.