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A font catalog or font catalogue, also called a type specimen book, [1] is a collection of specimen of typefaces offering sample use of the fonts for the included typefaces, originally in the form of a printed book. [2] The definition has also been applied to websites [3] offering a specimen collection similar to what a printed catalog provides.
Trash polka is a mixed media form of tattooing that is created with various, non-limited components. [5] Detailed photo-realistic portraits can be displayed in conjunction with graphic elements such as large black areas, brush strokes, and geometric or abstract shapes.
Cartier is a family of serif old style typefaces designed in 1967 by Carl Dair, who was commissioned by the Governor General of Canada-in-Council to create a new and distinctively Canadian typeface. The typeface was named for the explorer Jacques Cartier and dedicated to the Canadian people. [ 1 ]
Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance-period printing of Nicolas Jenson around 1470. [1] He used it for his design of the Oxford Lectern Bible.
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text.It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman".
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
Whitney was created in 2004 by the foundry of Hoefler & Frere-Jones. Whitney bridges the divide between editorial mainstays such as News Gothic (1908), which is an American gothic typeface, and signage application standards such as Frutiger (1975), which is a European humanist typeface.
Stylistically Peignot is a "stressed" or modulated sans-serif in the Art Deco style, in which the vertical strokes are clearly wider than the horizontals. Use of Peignot declined with the growth of the International Typographic Style , which favored less decorative, more objective, traditional typefaces such as Akzidenz-Grotesk .