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The maximum contrast of an image is termed the contrast ratio or dynamic range. In images where the contrast ratio approaches the maximum possible for the medium, there is a conservation of contrast. In such cases, increasing contrast in certain parts of the image will necessarily result in a decrease in contrast elsewhere.
Contrast resolution or contrast-detail is an approach to describing the image quality in terms of both the image contrast and resolution. Contrast resolution is usually measured by generating a pattern from a test object that depicts how image contrast changes as the structures being imaged get smaller and closer together.
Blue–red contrast demonstrating depth perception effects 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images.
This method usually increases the global contrast of many images, especially when the image is represented by a narrow range of intensity values. Through this adjustment, the intensities can be better distributed on the histogram utilizing the full range of intensities evenly. This allows for areas of lower local contrast to gain a higher contrast.
The "luminance contrast" is the ratio between the higher luminance, L H, and the lower luminance, L L, that define the feature to be detected.This ratio, often called contrast ratio, CR, (actually being a luminance ratio), is often used for high luminances and for specification of the contrast of electronic visual display devices.
The basic intent of the contrast enhancement technique is to adjust the local contrast in the image so as to bring out the clear regions or objects in the image . Low-contrast images often result from poor or non-uniform lighting conditions, a limited dynamic range of the imaging sensor, or improper settings of the lens aperture.
Film negatives usually have less contrast, but a wider dynamic range, than the final printed positive images. The contrast typically increases when they are printed onto photographic paper. When negative film images are brought into the digital realm, their contrast may be adjusted at the time of scanning or, more usually, during subsequent ...
A red object, for example, will be very pale in the red-filtered image but very dark in the other two images, so the result will be an area with just a trace of cyan, absorbing just a bit of red light, but a large amount of magenta and yellow, which together absorb most of the green and blue light, leaving mainly red light to be reflected back ...