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The Byrds' discography was originally released on the vinyl format, as full-length LPs, shorter EPs, and singles. [2] Since the 1960s, the band's back catalogue has also been released on reel-to-reel tape , audio cassette , 8-track tape , CD , MiniDisc , digital downloads , and, most recently, as streaming media .
Turn! Turn! Turn! is the second studio album by the American rock band the Byrds, released on December 6, 1965, by Columbia Records. [1] Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. [2]
[190] [193] The distinctive sound of the StringBender became characteristic of the Byrds' music during White's tenure. [194] Following the release of Dr. Byrds & Mr. Hyde the band issued a version of Dylan's "Lay Lady Lay" as a single in May 1969, which failed to reverse the group's commercial fortunes in the U.S., reaching number 132. [191]
Anyone who clicked on this article knows that the Byrds are one of the greatest and most influential rock groups of all time: They weren’t only influenced by the Beatles, they influenced them ...
The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. [ 1 ]
Teens are forgoing music streaming services in favor of vinyl albums and record players. ... outselling CDs for the second time since 1987. Vinyl record sales also grew 10% to $1.4 billion ...
Live at Royal Albert Hall is a live album by the American rock band the Byrds, released in 2008 [4] on Sundazed Music. [5] The album consists of recordings from the band's appearance at the Royal Albert Hall in London, England on May 13, 1971. [4]
Dr. Byrds & Mr. Hyde is the seventh studio album by the American rock band the Byrds and was released in March 1969 on Columbia Records. [1] [2] The album was produced by Bob Johnston and saw the band juxtaposing country rock material with psychedelic rock, giving the album a stylistic split-personality that was alluded to in its title.