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The Ten Pieces (Finnish: Kymmenen kappaletta; in German: Zehn Stücke), [2] Op. 24, is a collection of compositions for piano written by the Finnish composer Jean Sibelius around the turn of the twentieth century, variously from 1895 to 1903. The most famous piece of the set is by far No. 9, the Romance in D-flat major.
Original autograph score, 1842. Zoom. The Polonaise in A♭ major, Op. 53 (French: Polonaise héroïque, Heroic Polonaise; Polish: Heroiczny) is a solo piano piece composed by Frédéric Chopin in 1842 [1] The piece is published in 1843, [2] and is one of Chopin's most admired compositions and has long been a favorite of the romantic piano repertoire. [3]
Gann has also called the piece "the most important piano work of the late 20th century." [8] In his book Four Musical Minimalists, Keith Potter states that The Well-Tuned Piano is significant "in the contexts of musical minimalism, of musics working at the interface between composition and improvisation, and of twentieth-century music for solo ...
24 Lyric Preludes in Romantic Style: piano 1958 Short pedagogical pieces [177] Franciszek Zachara: New Well-Tempered Clavicord for the Piano: piano 1950s 24 sets of preludes and fugues in all major and minor keys, with an additional 25th prelude and fugue (on a theme from Ernő Dohnányi) added at the end. Twenty-Four Etudes in All Keys
The opus Six Romances was composed in 1878 by Pyotr Ilyich Tchaikovsky (1840 – 1893) for voice and piano, and was published as Opus 38 later that year. Of these six songs, "Don Juan's Serenade" was the most successful, becoming one of the best-known works among the approximately 100 romances that Tchaikovsky composed during his lifetime.
The Romantic era of Western Classical music spanned the 19th century to the early 20th century, encompassing a variety of musical styles and techniques. Part of the broader Romanticism movement of Europe, Ludwig van Beethoven, Gioachino Rossini and Franz Schubert are often seen as the dominant transitional figures composers from the preceding Classical era.
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The Sonnambula-fantasy for example, a concert piece full of charming melodies, could certainly not have been composed either by Bellini or by Liszt alone. Outstanding examples are also the Rigoletto-Paraphrase and the Faust-Waltz. The most delicate harmonies in parts of those pieces were not invented by Verdi and Gounod, but by Liszt.