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The book contains a table of contents, followed by a preface with a message from the church's first presidency, which encourages church members to use the hymn book at meetings and in their homes to invite the spirit and to teach doctrine.
The earliest known publication of the common table prayer was in German, in the schoolbook Neues und nützliches SchulBuch für die Jugend biß ins zehente oder zwölffte Jahr (New and useful schoolbook for youth up to the tenth or twelfth year), written by Johann Conrad Quensen and published in Hannover and Wolfenbüttel in 1698.
" Komm, Heiliger Geist, Herre Gott" ("Come, Holy Ghost, Lord God") is a Lutheran hymn for Pentecost, with words written by Martin Luther based on "Veni Sancte Spiritus, reple tuorum corda fidelium". The hymn in three stanzas was first published in 1524.
Praise the Lord and worship Him, a song prepare: F.J. Crosby: 231: Hark, hark, my soul! angelic songs are swelling: F.W. Faber: Arranged by Sankey and Charles Crozat Converse [6] 233: God is Love! His Word proclaims it: Julia Sterling* 234: Let us sing again the praise of the Saviour: Lyman G. Cuyler* 236: Come, and let us Worship: Come, oh ...
Because "O Come, O Come Emmanuel" is a metrical hymn in the common 88.88.88 meter scheme (in some hymnals given as "8.8.8.8 and refrain" [13]), it is possible to pair the words of the hymn with any number of tunes. The meter is shared between the original Latin text and the English translation.
Songs That Jesus Said — Come, Let Us Sing: 2003 Kristyn Getty: New Irish Hymns 2 — Cross of Jesus: 2003 Kristyn Getty: New Irish Hymns 2 — Every Breath: 2002 Kristyn Getty: Tapestry — Every Promise (Hymn of Response to the Word) 2005 Stuart Townend: New Irish Hymns 4: Story: Father in Heaven (The Lord's Prayer) Based on Matthew 6:9-13: ...
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"E'en So, Lord Jesus, Quickly Come" is a 1953 motet composed by Paul Manz with lyrics adapted by Ruth Manz.The piece is adapted from text found in the Book of Revelation.It is known as Paul Manz's most notable composition and has been frequently performed by numerous ensembles and choral groups such as the King's College Choir, who are thought to have popularized it.