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Isis [Note 1] was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom ( c. 2686 – c. 2181 BCE ) as one of the main characters of the Osiris myth , in which she resurrects her slain brother and husband, the divine king Osiris , and produces and protects ...
The mysteries of Isis were religious initiation rites performed in the cult of the Egyptian goddess Isis in the Greco-Roman world. They were modeled on other mystery rites, particularly the Eleusinian mysteries in honor of the Greek goddesses Demeter and Persephone, and originated sometime between the third century BCE and the second century CE.
The Temple of Maharraqa in Nubia. Temple of Al-Maharraqa is an ancient Egyptian Temple dedicated to Isis and Serapis. It was originally located in al-Maharraqa (Arabic: المحرقة, DMG: Al-Maḥarraqa, Greek: Hierasykaminos), Lower Nubia, approximately 120 km (75 mi) south of Aswan on the southern border of the Roman Empire. [1]
The most ancient was a temple for Isis, built in the reign of Nectanebo I during 380–362 BC, which was approached from the river through a double colonnade. Nekhtnebef was his ancient Egyptian royal titulary and he became the founding pharaoh of the Thirtieth and last native dynasty when he deposed and killed Nepherites II.
Plutarch identified the goddess as "Athena, whom [the Egyptians] consider to be Isis." [1] Sais was the cult center of the goddess Neith, whom the Greeks compared to their goddess Athena. In Plutarch's time Isis was the preeminent goddess among ancient Egyptian deities, and was frequently syncretized with Neith, and he equates the two. [3]
Archaeologists recently uncovered intriguing artifacts in an excavation in Egypt, including golden "tongues" and "nails," according to the Egyptian Ministry of Tourism and Antiquities.
The city in Iraq has long been “ignored entirely by archaeologists,” according to the study.
Schwaller de Lubicz suggests that these temples reflect the cosmic and spiritual order through their proportions and design. The author argues that the ancient Egyptians embedded knowledge of sacred geometry and spiritual awakening into their architecture, and that the human body itself is a temple that mirrors the harmony of the universe. The ...