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Musurgia Universalis, sive Ars Magna Consoni et Dissoni ("The Universal Musical Art, or the Great Art of Consonance and Dissonance") [1] is a 1650 work by the Jesuit scholar Athanasius Kircher. It was printed in Rome by Ludovico Grignani [ 2 ] : xxxiii and dedicated to Archduke Leopold Wilhelm of Austria .
The Arca Musarithmica as depicted in "Musurgia Universalis" The Arca Musarithmica (also Arca Musurgia or Musical Ark) is an information device that was invented by Jesuit scholar Athanasius Kircher in the mid 17th century. Its purpose was to enable non musicians to compose church music. Through simple combinatoric techniques it is capable of ...
The Musurgia Universalis (1650) sets out Kircher's views on music: he believed that the harmony of music reflected the proportions of the universe. The book includes plans for constructing water-powered automatic organs, notations of birdsong and diagrams of musical instruments.
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Musurgia universalis sive ars magna consoni et dissoni in libros digesta. Romae : Ex typographia Haeredum Francisci. Corbelletti, 1650. Kircher, Athanasius at the Galileo Project; Collins, Paul. “The Stylus Phantasticus and Free Keyboard Music of the North German Baroque.” Google Books. Routledge, July 5, 2017.
The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered ...
In 1661, 11 years after the publication of Musurgia Universalis, which contains a description of a similar, but more limited device, the Arca Musarithmica, Kircher sent an Organum Mathematicum to Gottfried Aloys Kinner, the tutor to the 12-year-old Charles Joseph, Archduke of Habsburg, for whom the Organum was likely intended.
Athanasius Kircher (Musurgia universalis, 486) applied the name of chelys to a kind of viol with eight strings. Numerous representations of the chelys lyre or testudo occur on Greek vases, in which the actual tortoiseshell is depicted. A good illustration is given in Le Antichità di Ercolano (vol. i. p1. 43). [3] Propertius (iv.