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William Morris, 1834-1896: A Life of Art. Taschen. ISBN 9783836561631. Beecroft, Helen (2019). William Morris. Flame Tree Publishing. ISBN 978-1-78755-307-1. Fairclough, Oliver and Emmeline Leary, Textiles by William Morris and Morris & Co. 1861–1940, Birmingham Museums and Art Gallery, 1981, ISBN 0-89860-065-0
Border morris dancing was different on the Welsh side of the border, and a team on the Welsh side was formed in 1992. Initially the side was named Morys ar y Clwt but it was changed to Carreg-las in 1997. They use traditional Welsh and English folk and morris dance tunes.
The FIDM Museum & Library, Inc. was founded in 1978 to serve the Fashion Institute of Design & Merchandising (FIDM) and the community. Since January 1999, the museum's operations have been separate from the Library in order to offer more specialized care and attention to the specific needs of a costume collection, and museum-trained personnel have been added to the staff.
William Morris' design for Trellis wallpaper, 1862. The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles [1] and subsequently spread across the British Empire and to the rest of Europe and America.
William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, [1] writer, and socialist activist associated with the British Arts and Crafts movement.
The Los Angeles St. David's Day Festival was an annual arts and cultural festival held in Los Angeles, California. It typically took place during the first weekend of March, and attracted Welsh ex-pats and Welsh descendants from all over the United States. [ 1 ]
The identification of a "garment district" is relatively new in Los Angeles' history as a large city. In 1972 the Los Angeles Times defined the L.A. Garment District as being along Los Angeles Street from 3rd to 11th Street, an area that today straddles the border of Skid Row and the very northwest end of the current Fashion District. At the ...
Theresa Buckland's (1990) research details the linkages between the 19th-century Lancashire Britannia Coconut Dancers and minstrel shows, although it does not discuss any link to Welsh border morris. She argued, "The 'disguise' function of the costume has most likely been influenced by Cecil Sharp's [1911] interpretation of the black face ...